Crouching Woman,1778
Portrait of Maria Hess,1778-79
Portrait of Magdalena Hess,1778-79
Three Women at a Curtained Window,1779
The Mandrake:A Charm,c. 1785
The Shepherd's Dream,1786
The Shepherd's Dream,det.
Prince Arthur and the Fairy Queen,1788
Figure Leaning over Stairs,1789
Beatrice Eavesdropping on Hero and Ursula,1789
Portrait of the Artist's Wife,1785-95
Two Courtesans at a Window,1790
Mrs. Fuseli Seated at a Table,1790-91
The Chimney-Piece,1790-91
Second Version of The Chimney-Piece,1791
Charis Phykomené,1791
Study of a Seated Woman,1791
Two Courtesans,1790-92
A Woman on a Balcony with high dressed Hair and Hat,1790-92
Two Courtesans with Fantastic Hats,1790-92
The Vision in the Asylum,1791-93
Falstaff in Laundry Basket,1792
Falstaff in Laundry Basket,det.
Titania Caresses the Ass-Headed Bottom,1793-94
Titania Caresses the Ass-Headed Bottom,det.
Titania Caresses the Ass-Headed Bottom,det.
Detail from The Elf Queen Titania and Bottom,the Weaver with a Donkey Head,1793-94
Milton Dictating to his Daughter,1794
Perseus Returning the Eye to the Graiai,1790 - 1800
Bust Portrait of Mrs Fuseli,1795
Mrs. Fuseli Sleeping,1795
The Daughters of Pandareos,c. 1795
Fairy Mab,1795-96
Titiania with Bottom and the Fairies,1796
Titiania with Bottom and the Fairies,det.
Engraving of Titiania with Bottom and the Fairies
Engraving of Titiania with Bottom and the Fairies,det.
Mrs. Fuseli with a Curled Hairstyle,1796
Study of Mrs. Fuseli,1798
The Ladies of Hastings,1798-1800
Reclining Nude and a Piano Teacher,1799-1800
Unknown Name,late 18th-early 19th c.
Mrs.Fuseli in 1800
Study of a Nude Woman, Seated,1801
Thetis asks Hephaestus to forge Armor for her Son Achilles,1803
Lady at her Dressing Table,1800-06
Huon disguised as a Gardener meets Sultane Almansaris accompanied by Nadine,1804-05
Siegfried about to Deny on Oath that Brunhild Had Been his Paramour,1805
Kriemhild Haunted by her Remorse,c. 1805
The Infant Shakespeare between Tragedy and Comedy,1805
The Dressing Room,1800-07
Courtesan with an Elaborate Headdress,1800-10
Courtesan with an Elaborate Headdress,det.
Mad Kate,1806-07
Sketch for Mother and Her Family in the Country, 1806-07
Mother and Her Family in the Country, 1806-07
Siegfried and Chriemhild,1807
Brunhilde observes Gunther,1807
The Debutante,1807
Three Women and a recumbent Man,c. 1809
Back View of a Standing Female,1810
Allegory of Vanity,1811
Fairy Mab,1815-20
Undine and Hildebrand,c.1819-22
A Man and Two Women on a Bed,19th c.
Unknown Date
Drawing for the Frontispiece of Erasmus Darwin's The Botanic Garden
Drawing for the Frontispiece of Erasmus Darwin's The Botanic Garden,det.
Erotic Scene of a Man with two Women
Portrait Study Of A Woman, Probably Mrs. Fuseli
Two Girls looking Upwards out of a Cabin Window
Mrs. Fuseli taking a Stroll
A Lady Walking
Mrs. Fuseli reading a Letter
Portrait of Mrs. Fuseli
Engraving of The Daughter of Herodias,after Fuseli
Standing Woman Attending to a Man
Falstaff in the Laundry Basket Mocked by Women
A Woman with a Fan, standing, seen from the Back
Callipyga: Mrs. Fuseli with her Skirts lifted to her Waist standing before a
Dressing Table with Phallic Supports
Ladies looking at Sculptures
Fashionable Ladies
Mrs. Fuseli on a Sofa
Study of a Head of Mrs. Fuseli
Mrs. Fuseli with Curly Hair
Sjetch of Mrs. Sofia Fuseli
Study of a Woman with an Elaborate Hairstyle or Mrs. Fuseli
Teiresias foretells the Future to Odysseus
Study of a Woman
Drawing of Mrs. Fuseli
The Tempest
Young Woman with Elaborate Coiffure standing with outstretched Right Arm
A Courtesan at her Dressing Table
Unknown Title
Female Cruelty
Courtesan Bending Forward
Young Lady lying on a Sofa
Portrait of Lavinia de Irujo
Portrait of Mrs. Otway
Two Female Figures Standing on Steps
Füsli fue -o es- un grandisimo artista. Sin duda influyó en elextraordinario W. Blacke, y aunque no goza de una fama tan extendida como la de su alumno londinenese, se merece se una exposición más o menos antológica al menos en Madrid, para darle a conocer más ampliamente o por primera vez en España, país en el que seguro es un completo desconocido para una inmensa mayoría, incluidos tantos aficionados al Arte y profesionales : críticos, profesores, coleccionistas (?). Etc......
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteThis comment has been removed by the author.
ReplyDelete